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StudioLive 24R

 

Il partner perfetto per le console StudioLive Series III

 

StudioLive 24R RIl mixer rack StudioLive 24R Series III è il complemento ideale per le console StudioLive Series III, sia come semplice stage box, sia come combinazione stage box / monitor mixer.

 

Il collegamento tra mixer a rack e console della Serie III può essere effettuato tramite presa AVB, permettendoti di utilizzare un singolo cavo CAT5e o CAT6 Ethernet.

Puoi dire addio a pesanti e costosi "serpentoni" di cavi in rame ed al degrado della qualità del segnale quando devi coprire lunghe distanze.

 

Puoi anche controllare i preampli e l'alimentazione phantom di StudioLive 24R a distanza, direttamente dalla tua console Serie III.

In modalità stage box + monitor mixer, StudioLive 24R diventa anche un potente mixer, con potenza di processamento e funzionalità di mixing senza rivali nella sua classe - il tutto racchiuso in un rack a 2 unità (2U).

 

 

 

The most powerful rack mixer in its class

When we say the StudioLive® Series III stage boxes and rack mixers are by far the most powerful rackmount digital mixers in their class, that’s no idle claim. The result of ten years of R&D, third-generation StudioLive Series III rack mixers are fully recallable, including remote-controlled XMAX preamps.

 

Yet despite their extensive features, StudioLive Series III rack mixers actually improve upon PreSonus®’ legendary ease of use while letting you customize their workflow and operations in software to fit the way you work. The coveted StudioLive sound is better than ever, including third-generation Fat Channel processing, re-engineered from the ground up, and vintage-style EQs and compressors.

 

Add built-in AVB networking, multitrack recording via USB 2.0 and AVB, onboard stereo recording to SD Card, and a complete suite of software, and you have a mixing and recording powerhouse that’s equally formidable as a stage box/monitor mixer, as a rackmount front-of-house mixer controlled from a touchscreen computer or tablet, and as the heart of your studio.

 

presonus studiolive 24r front big

 

A third-generation Fat Channel

StudioLive Series III rack mixers boast the same third-generation Fat Channel processing found in StudioLive Series III consoles.

 

Delivering digital precision with the heart and soul of analog, the Series III Fat Channel implements a plug-in-style workflow that features vintage-style EQ and compression options on every channel, from classic tube limiters to passive EQs.

 

In addition to channel processing, all StudioLive Series III mixers offer 6-band, fully parametric EQ on all mix outputs. Enjoy extensive, studio-style processing when recording, mixing monitors, or even running the front-of-house system.

 

 

Customize scenes and presets in new and powerful ways—including your way

With StudioLive Series III, we’ve upped the ante and given you more flexibility when working with scenes and presets.

 

Mixer scenes now include Scene Safe. Similarly, we’ve expanded the concept of Fat Channel presets so that presets have, for practical purposes, become like scenes for individual channels, not only saving input and Fat Channel settings but also aux send and bus assignments.

 

Of course you can also use preset filters to choose what you want to recall.

 

 

 

Create buses and groups to suit your workflow with FlexMixes

Don’t you hate it when you’re setting up for a show and find you have an unused subgroup—but you’re short one monitor mix?

 

That’s not a problem anymore, thanks to 16 FlexMixes that can be individually designated as aux, subgroup, or matrix mixes.

 

These 16 FlexMixes are in addition to the 4 internal effects sends and the stereo main bus, giving you a total of 20 mix buses, not counting the main mix and solo buses.

 

We also provided 24 Filter DCAs so you can more easily and flexibly control groups of channels.

 

These are only a few of the many ways you can customize your StudioLive Series III rack mixer exactly to your needs and workflow.

 

 


Software integrato e multipiattaforma, flessibilità di controllo e registrazione one-clic

PreSonus StudioLive 24R è perfettamente integrato con una suite di eccellenti software. Puoi controllare il mix, anche lontano dall'hardware, usando UC Surface touch-control software per Mac, Windows e iPad® con una connessione wireless.

 

Gestisci i monitor (aux) mixes con QMix-UC per iPhone, iPod touch ed Android. Controlla a distanza i preamp XMAX automatizzati ed il processing di Fat Channel con Studio One Artist, per registrazioni con effettistica a bassa latenza. Automatizza i virtual soundcheck e le registrazioni live con Capture.

 

Salva le scene del mixer insieme alle tue registrazioni live di Capture e ricaricale per l'editing in Studio One Artist.

 

StudioLive 24R lavora in stretta combinazione con il software e forma un potente sistema che riesce ad assecondare la tua creatività.

 

Network-ready e diversi metodi di registrazione da computer

Il networking non è il futuro dei sistemi audio professionali: è il presente.

 

StudioLive 24R è equipaggiato con una porta AVB Ethernet che permette di connettere molteplici mixer e computer compatibili e riprodurre in streaming fino a 55 canali audio da e verso un Mac o un PC Windows.

 

Puoi anche scegliere di utilizzare una registrazione 40x40 tramite USB 2.0. Ciascun canale ha accesso indipendente al suo ingresso analogico o al suo ritorno digitale dedicato proveniente dal tuo computer.

 

E registrare è semplice e facile: basta lanciare il software Capture (preconfigurato ed incluso) per una registrazione one-clic di tutti gli ingressi e del main mix.

Oppure usare Studio One Artist (incluso) — o qualsiasi altro software di registrazione che supporti ASIO o Core Audio.

 

Una completa serie di apparecchiature compatibili AVB, che comprende stageboxes e personal monitor mixers, è in continua evoluzione.

  

Controllo a distanza con una moltitudine di devices

In aggiunta alla connessione tramite AVB, StudioLive 24R è dotato di una porta Ethernet 1 GB che permette di collegarsi ad un router wireless o direttamente ad un computer e controllare a distanza tutte le funzionalità del mixer.

 

Puoi lavorare dovunque, sia wireless sia attraverso un network cablato, usando UC Surface per Mac®, Windows® e iPad®.

 

Puoi anche aggiungere un secondo, terzo o addirittura quarto schermo per gestire efficientemente il tuo workflow.

 

I musicisti possono controllare i loro monitor mixes direttamente dal palco con QMix®-UC per iPhone®, iPod® touch o Android™.

 

Usa connessioni wireless, cablate o entrambe.

 

Simple but versatile audio connections

We kept the StudioLive Series III rack mixers’ front and rear panels clean and simple, yet they have all the connections you need. All 24 channel inputs on the StudioLive 24R use locking combo jacks to accept microphone- or line-level signals.

 

You also get a pair of unbalanced RCA jacks as additional inputs for Channels 23 and 24 for easy connectivity to smartphones, media players, and other consumer audio sources.

 

In addition to main L/R outputs and headphone jack, you get 12 FlexMix outputs that can each be independently configured as subgroups, monitor outputs, or matrix outputs. The result is a versatile set of connections that provide the access you need in a compact, 2U package.

 

 

presonus studiolive 24r back big

 

StudioLive 24R 10

Superior sound

Connect a StudioLive Series III rack mixer, and you’ll instantly hear details and an open high end you’d expect to find only in an expensive studio console.​

 

We built our reputation designing great-sounding analog circuits, including our famous XMAX solid-state, Class A preamps, and we put all of that experience into designing StudioLive Series III consoles and rack mixers

 

We didn’t cut corners on components, and we just say “No!” to noisy, crosstalk-y ribbon cables.

 

As a result, StudioLive Series III mixers deliver the high-end audio quality you need to preserve your hard-earned reputation for producing great-sounding mixes and recordings.

 

 

 

Now includes Studio Magic Plug-in Suite

This suite of plug-ins adds a wealth of fresh sounds and effects to Studio One.

 

Cherry-picked from the first names in virtual instruments and effects, each plug-in brings a different flavor of practical magic to your songs.

 

These plug-ins aren't gimmicky one-trick ponies — these are real-deal workhorses that you'll rely on for countless mixes.

 

 

 

    Caratteristiche tecniche:

     

     

    Local Inputs and Outputs

    • 26 total inputs
      • 24 mic/line channel inputs + 2 RCA inputs
    • 12 ¼-inch TRS FlexMix outputs
    • 2 XLR (L/R) Main outputs
    • Stereo headphone output

    Channels and Buses

    • 32 input channels
      • 24 analog, AVB, or USB
      • 8 AVB or USB
    • 2 stereo aux inputs (AVB or USB)
    • 1 stereo digital return (SD Card, AVB, or USB)
    • 26 buses:
      • 16 FlexMixes (can be designated as aux, subgroup, or matrix mixes)
      • 4 dedicated subgroups
      • 4 internal effects sends
      • Stereo main bus
    • 24 Filter DCAs for easily and flexibly controlling groups of channels

    Networking Connections

    • 1 Ethernet control network port
      • Dynamic, Self Assigned, and Manual IP address modes
    • 1 Locking XLR Ethernet AVB audio network port

    Recording

    • Onboard stereo SD recorder
    • 40x40 USB recording interface
    • 55x55 AVB recording interface

    Signal Processing

    • Intuitive Fat Channel signal processing on every channel with:
      • A/B settings comparison
      • Highpass filter and polarity reverse
      • Gate/expander with sidechain
      • Compressor with sidechain
      • 4-band parametric EQ on inputs
      • 6-band parametric EQ on outputs
      • Limiter
      • Delay on every input
      • Delay on every output
      • Professionally programmed library of presets
    • Vintage EQ and compressor models available on every input
      • Passive EQ
      • Vintage EQ
      • Tube compressor
      • FET compressor
    • 8 31-band graphic EQs
    • 4 internal effects buses: combination of reverbs and delays with modern and vintage options
    • Built-in real-time analyzer

    Scenes and Presets

    • Create, save, and edit up to 100 scenes
    • Scene management with:
      • Scene Safe—prevents a scene change from affecting designated “safe” channels
    • Create, save, and edit channel settings and copy/paste between channels
    • Advanced channel preset options can save and recall:
      • Channel type and name
      • Input settings (preamp, +48V phantom power, polarity, pan)
      • Fat Channel A & B settings
      • Bus assignments
      • Aux and effects send levels and pan
      • Select button color
    • 8 Quick Scenes
    • 8 Mute groups

    Digital

    • Studio-quality converters with 115 dB dynamic range
    • 48 kHz operation with 24-bit resolution (44.1 kHz option coming soon)

    Actively Integrated Software

    • UC Surface touch control software for Mac®, Windows®, iPad®, and Android ™
    • Studio One® Artist digital audio workstation software for Mac and Windows
    • Capture™ multitrack recording software for Mac and Windows
    • QMix®-UC aux-control software for iOS® and Android™ available free from Apple App Store and Google Play

     

     

     
    Specifiche tecniche:

     

     

    Mi​crophone Preamplifier

    		 

    Input Type

    Combo locking XLR mic-¼” TRS line

    Frequency Response to Main Output (at unity gain)

    20-20 kHz, ±0.5 dBu

    Input Impedance

    1 kΩ

    THD to Main Output

    <0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd

    S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd)

    94 dB

    Common Mode Rejection Ratio (1 kHz at unity gain)

    65 dB

    Gain Control Range (±1 dB)

    0 dB to +60 dB

    Maximum Input Level (unity gain)

    +12 dBu

    Phantom Power (±2 VDC)

    48 VDC, switchable per channel

    Unbalanced Inputs (Ch. 23-24)

    		 

    Type

    RCA Female, unbalanced (stereo pair)

    Maximum Input Level

    +12 dBu, ±0.5 dBu

    Main Outputs

    		 

    Type

    XLR Male, balanced

    Maximum Output Level

    +24 dBu, ±0.5 dBu

    Output Impedance

    100Ω

    Mix Outputs

    		 

    Type

    ¼” TRS Female, balanced

    Maximum Output Level

    +18 dBu, ±0.5 dBu

    Output Impedance

    100Ω

    Headphone Output

    		 

    Type

    ¼” TRS Female, active stereo

    Maximum Output

    100 mW/ch. @ 60Ω load

    Frequency Response

    20 Hz – 20 kHz (± 0.5 dB)

    THD+N

    0.01%, 1 kHz, max gain, 20 Hz BW, unwtd

    S/N Ratio

    96 dB, 1 kHz, max gain, 20 Hz BW, unwtd

    System Crosstalk

    		 

    Input to Output

    -90 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd)

    Adjacent Channels

    -87 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd)

    Digital Audio and Control

    		 

    ADC Dynamic Range

    115 dB (A-wtd, 48 kHz)

    DAC Dynamic Range

    115 dB (A-wtd, 48 kHz)

    USB Recording Port

    USB 2.0, Type-B

    Network Control Port

    RJ-45

    AVB Audio Network Port

    Locking XLR Ethernet

    Internal Processing

    32-bit, floating point

    Sampling Rate

    48 kHz (44.1 kHz coming soon)

    A/D/A Bit Depth

    24

    Reference Level for 0 dBFS

    +18 dBu

    Total System Latency

    1.9 ms (local routing, analog in-analog out, all processing active)

    Clock

    		 

    Jitter

    <20 ps RMS (20 Hz - 20 kHz)

    Jitter Attenuation

    >60 dB (1 ns in, 1 ps out)

    Power / Environmental

    		 

    Connector

    IEC

    Input-Voltage Range

    90 to 230 VAC (±10%)

    Power Requirements (continuous)

    85W

    Recommended Ambient Operating Temperature

    0˚ to 40˚ Celsius / 32˚ to 104˚ Fahrenheit

    Physical

    		 

    Height

    3.5” (90mm)

    Width

    19” (483mm)

    Depth

    12” (305mm)

    Weight

    10.8 lbs. (4.9 kg)

    As a commitment to constant improvement, PreSonus® Audio Electronics, Inc., reserves the right to change any specification stated herein, at any time, without notification.

     
    Requisiti di sistema:

     

     

    Below are the minimum computer-system requirements for UC Surface, QMix®-UC, and Studio One®.

    Mac

    • Mac® OS X 10.8.5 64-bit or later
    • Intel® Core™ 2 Duo processor (Intel Core i3 or faster recommended)
    • 4 GB RAM (8 GB or more recommended)

    Windows

    • Windows® 7 x64/x86 SP1 + platform update, Windows 8.1 x64/x86, Windows 10 x64/x86
    • Intel Core 2 Duo (Intel Core i3 or faster recommended)
    • 4 GB RAM (8 GB or more recommended)

    Mac and Windows Systems

    • USB 2.0 port
    • Internet connection
    • Internal or external 7200 RPM storage drive highly recommended
    • 34 GB hard disk space
    • Monitor with 1366x768 resolution

    iOS

    • iOS 9.3 or later
    • iPad Pro, iPad Air 2, iPad Air, iPad mini 4, iPad mini with Retina display, iPad (4th generation), iPad mini, iPad (3rd generation), iPad 2


    Android (QMix-UC)

    • Android™ 5.0 (Lollipop) or later
    • Android smartphone (QMix-UC)
    • Android tablet (8-inch) with 1024x768 resolution (UC Surface)
    Note: The minimum system requirements may differ for DAWs other than Studio One. Please check the requirements for your DAW of choice with its manufacturer.
    Note that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) than you might experience while monitoring audio signals.
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