
La semplicità dell'analogico unita alla potenza del digitale

Che tu stia mixando dal vivo o collaborando in studio con un artista, vuoi lavorare con rapidità ed efficienza. Per garantirti questi risultati, StudioLive® 16.0.2 USB mette a disposizione un'interfaccia utente semplice e ben congegnata, con tutti i controlli importanti visibili ed accessibili - non nascosti tra menù e layers.
La filosofia progettuale di PreSonus è semplice: un fader per ogni canale mono o stereo, un'uscita per ogni bus. In aggiunta a questo disponi di pulsanti, codificati tramite diversi colori, subito a portata di mano e controlli rotativi individuali, contrassegnati con chiarezza, per EQ e processori di dinamica.
Anche le mandate ausiliare hanno controlli fisici dedicati ed ogni canale è caratterizzato da un suo VU meter, luminoso e ben dimensionato.
Ma non fermarti al suo aspetto da mixer analogico: StudioLive 16.0.2 USB offre tutta la potenza della moderna tecnologia digitale, la registrazione multitraccia, il controllo wireless da remoto e tanto altro...
In a footprint of less than 2 square feet (0.19 square meters), the compact, 16-channel StudioLive 16.0.2 USB offers 8 mono input channels, 4 stereo channels, and 4 aux buses, each with a high-quality, 60 mm fader.
You get generous analog I/O, 12 XMAX Class A solid-state mic preamps, a Talkback input with Class A mic preamp, extensive signal processing with physical controls, MIDI control, accurate metering, and a built-in multichannel recording interface.
As with all StudioLive mixers, the 16.0.2 USB comes with a suite of tightly integrated recording, control, and audio analysis software.
And it’s so lightweight and compact that you can easily hold it in one hand and tuck it under your arm.
You’ll never run out of signal processors
StudioLive 16.0.2 USB mixers provide plenty of DSP power, with no limitations, no shared resources, no figuring out what processing is available where.
You have all of the processing available at all times, with no compromises or caveats. The unique Fat Channel provides a compressor, limiter, expander, and 3-band semi-parametric EQ on every channel and bus; a highpass filter on each channel; phase reverse for the channel mic preamps; a library of professionally crafted presets; and the ability to save and selectively recall processor settings.
A stereo, 31-band graphic EQ sits on the main bus. To top it off, you get two 32-bit delay/reverb effects processors, each with its own dedicated mix bus and a library of useful effects presets.
Superior sound
Connect a StudioLive 16.0.2 USB mixer and you’ll instantly hear details and clarity you’d expect to find only in a much more expensive console.
StudioLive mixers operate at up to 48 kHz for high-definition mixing and recording. High-quality Burr-Brown converters on every input and output provide a best-in-class 118 dB of dynamic range so you’ll catch every high and low with great accuracy and no audible distortion.
And our XMAX microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound.
Recording is in StudioLive 16.0.2 USB’s DNA
The StudioLive 16.0.2 USB’s built-in 18x16 multitrack recording interface is tightly integrated with the rest of the mixer—not an afterthought we tacked on. All 16 channels and the main mix continuously stream to your USB-connected Mac or Windows PC. Each channel can independently access its analog input or its dedicated digital return from your computer.
And with StudioLive mixers, recording is simple and easy: Just launch the included, preconfigured Capture™ software for one-click recording of all channel inputs and your main mix. Or record with the included Studio One Artist DAW—or any recording software that supports ASIO or Core Audio.
Now you can record in the studio or at the gig with equal ease.
Integrated, multiplatform software for flexible control and one-click recording
Like all PreSonus StudioLive mixers, the StudioLive 16.0.2 USB is tightly integrated with an entire suite of state-of-the-art software. Mix wirelessly or over a wired network from anywhere using UC Surface touch-control software for Mac, Windows, Android™, and iPad®.
Control individual monitor mixes onstage with QMix®-UC for iPhone®/iPod® touch and Android™. Automate virtual soundchecks and record shows with Capture™ for Mac and Windows.
Edit, sweeten, and digitally release your recordings with Studio One Artist. StudioLive 16.0.2 USB mixers and software work together to form a cohesive ecosystem that helps you achieve your creative vision.
Dedicated analog connections for predictable signal flow
Take a look at back panel of a StudioLive 16.0.2 USB mixer, and you’ll find the robust connections you’d expect from an analog mixer: balanced mic inputs on each of the 8 mono channels; 8 balanced ¼-inch line inputs; 4 unbalanced RCA line inputs and dedicated balanced outputs for each of the 4 aux buses and the main stereo bus.
Every input channel and bus send has its own dedicated jack—no sharing, no compromises—so you always know what’s flowing from each output.
Add excitement to performances with MIDI control
Being able to control the StudioLive 16.0.2 USB from an iPad®, iPhone®, iPod touch®, or Android device is cool—unless your hands are busy playing your instrument.
That’s why the StudioLive 16.0.2 USB offers MIDI In and Out.
Use a MIDI footpedal or DAW to recall scenes using MIDI Program Changes, control the main output volume and effects level, mute effects between songs, switch from lots of reverb to a little bit of delay, and change the mix for a solo.
You can even automate these features with a DAW! It’s a great way to make your performances more exciting and varied, even if you don’t have a separate soundperson.
Now includes Studio Magic plug-in suite
This suite of plug-ins brings extended sonic functionality into Studio One.
Cherry-picked from the first names in virtual instruments and effects, each one brings a different flavor of practical magic to your songs.
These plug-ins aren't gimmicky one-trick ponies — these are real-deal workhorses that you'll find yourself relying on for countless mixes.